I wrote part of a track yesterday and I was a lot more present. It went through several stages which Iām seeing now is whatās making music hard for me.
Stage 1 is the inspiration. A spark or idea. This is before I get to my equipment to write.
Stage 2 is when I start to write. Playing around with instruments and trying to feel out the vibe. This is the first part where things go wrong. Iāll pick out a sound and think I have to do something more with it, that itās overused, or that I have to be unique.
Stage 3 is when I start thinking about how others will think of my music. This leads me to be less curious and wild. I try to make stuff thatās closer to what Iāve already heard to fit in. I want people to listen to my stuff and I want to be accepted as a good musician. Approval seeking that kills the spirit of my music. Things start to feel right or wrong.
Stage 4 is when Iām getting some ideas out but I donāt know how to progress the track. I get worried about trying new things and ruining the song. Iāll also overcomplicate the structure. Creating new chord progressions that donāt fit and trying to force it vs just letting that harmony stay the same.
Stage 5 is when something is forming but it doesnāt feel good enough. Instead of just finishing and expressing myself I start scrutinizing every part of it trying to figure out what needs to change. Itās an inability to accept that sometimes a song is created and itās not great. Dumping time and energy into preventing that vs moving on and using that energy for fresh inspiration is important.
By the time Iām finished writing Iām exhausted because I battle with this stuff every time. The goal is to make this process more fluid where itās inspiration ā execution.
I also realized part of my difficulty is the fact that I struggle with identifying emotions. So much of musical decisions and composition is fueled by subconscious feelings. Like do I want to express more chaotic feelings? What synth best represents that or how should the drum patterns change? Without that identifying or where do I want to go feeling itās easy for me to start defaulting to looking for the ācorrectā safe musical theory.