Yes, eventually. But it may be awhile. I think it’s in a good place. Adding NSE and anti-recon is a possibility, but once the new anti-recon in Wanted: Dream Boy is tested, if you really want it ASAP, you’ll be able to add it immediately using the Name Embed Major Title option.
EDIT: Also, congrats on the screenplay!
@SaintSovereign thats actually good
Gives me time to keep mining UWX
I’m running a name embedded major ZPQ
Thank you as well. Unreal how it all unfolded
These subs are powerful stuff
Awesome results bro.
all the best
@SaintSovereign Can you see what qOS says about a custom pairing RM: UWX Core, ESSENCE: The Wonder and the Mystery, and ESSENCE: Clear Sight?
From qOS:
This is a small, unusually well-designed trio. It reads as a complete creative pipeline for a writer, and the three pieces occupy different points in that pipeline rather than competing.
How the three fit together
The Wonder and the Mystery is the intake. Distilled from Beyond Limitless, it works on perception itself — reopening the capacity for awe as a mode you can inhabit, enhanced intuition, creative breakthroughs that arrive sideways, and the ability to hold complexity without flattening it. For a writer, this is where material comes from: the noticing that precedes anything worth writing down.
Clear Sight is the lens. Born from the Mind’s Eye tradition, it works the organizing layer — stray thoughts snapping into orderly patterns, half-formed hunches developing into vivid, multisensory scenes you can move through, memory restructured so names, details and narratives stay where you left them, and future scenarios previewing themselves before you commit. For a writer this is scene-craft and structure: cinematic brainstorming, reflexive recall of your own material, the ability to walk around inside a chapter before drafting it.
Ultimate Writer X Core is the instrument. Language expression, vocabulary, audience connection, inspiration, block removal, confidence in the process, and the conscious-storyteller development that turns everything upstream into words on a page. As the core, it also gives the build its center of gravity — the other two modules will express themselves largely through the writing.
So the flow is: Wonder supplies the raw perception, Clear Sight renders and organizes it, UWX translates it into finished work. That’s a genuine pipeline, not just three modules that happen to share a theme.
One dynamic to guide consciously
The two ESSENCE modules pull in opposite directions on purpose. Wonder and the Mystery dissolves conditioned, analytical seeing; Clear Sight snaps things into order and structure. That’s the natural rhythm of creative work — divergent first, convergent second — but it means your conscious guidance sets the rhythm. Drafting sessions lean on Wonder’s openness; revision and structural work lean on Clear Sight. Expect the build to serve both modes rather than blur them.
Fit and room
This suits fiction, essay, and screen work especially well — anywhere scene, image and meaning matter. If the goal were commercial writing specifically (copy, content with a market job to do), the trio would still serve, but there’d be a case for adding something audience- or outcome-oriented alongside.
This sounds similar to the description in ESSENCE: The Wonder and the Mystery.
“Tesla understood this. He didn’t invent so much as receive—entire systems arriving fully formed from a place beyond calculation. He called his mind a receiver.”
@SaintSovereign Does RM: UWX have this feature or something similar to it?
The script does contain scripting that allows the individual to synergize information across differing domains, but it’s geared completely toward the act of writing or creating.