Dont some movies give you an idea of the hidden societal structures and some of the behind the scenes mechanisms?
Yes. They call it predictive programming and have all kinds of conspiracies, but it’s probably something much simpler: creators intuitively pulling ideas from humanity’s collective consciousness.
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How do you imagine what it actually is?
For real. I was getting bored
What would happen if you listened to the same title q,qv2 and zp2 at same time
Would there be no way home after that leading to a multiverse of madness?
Very, very bad recon. Please don’t do this – we actually mentioned it in the ZP manual.
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I wouldn’t personally it just went through my head when watching a movie.
Nooooo I thought I was just being cynical but this confirms my suspicions lol
I actually wanted to ask you about this because you’re into music production as well.
I personally feel lost if I don’t have that time to create. I can’t imagine not doing it. I’ll actually be more drained if I’m not given time to unravel that inner world that takes in all the outside influences.
How do you deal with not having the time to do the thing you love the most? I couldn’t imagine abandoning this for any stretch of time. Doesn’t it gnaw at you everyday?
I just watched Matrix 4 in the theatre and I liked it.
I am sympathetic to those criticisms of it. But I could also appreciate what the director and team were doing.
It took me a little while to get onboard, but at a certain point, I said, ‘Okay.’
The first movie was a different phenomenon altogether. Matrix One did Ray Kurzweil proud, and I think that its particular brand of futurism was extremely fortunately timed. It perfectly rode the crest of the zeitgeist’s wave. In so many ways.
We should acknowledge, of course, the Matrix’s debt to Ridley Scott (Bladerunner) and Terry Gilliam (12 Monkeys, etc.), among others. But it was able to achieve a legitimately spiritual significance in its cultural moment (in addition to its groundbreaking aesthetic, technological and narrative achievements). Because of that, it’s immortal.
It was that initial numinousness of the first Matrix that led me to be so disappointed with the following two instalments. But I’m in a different place now.
I now think that artists should just create with integrity, courage, and genuineness; and allow public acclaim or societal significance to come and go as they will. The artist should be ready for those things, but not chase them.
So, instead what I’m mainly looking for now in art is internal coherence and authenticity of voice.
So, I do think there was a certain self-indulgence to this Matrix. Definitely. Yet, in an odd way, I feel that it was an authentic and coherent self-indulgence. haha. By the end, I could appreciate it.
And I’m enjoying the Wheel of Time adaptation as well. 
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I saw ways it could have been significantly better, but overall, was very good, really fun, surrealistic, and definitely worth seeing.
This is really cool to hear, and I hope you find a way to get back to/incorpoate that mission in full along with the full mission of Sub Club.
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Believe it or not I have yet to watch any of the Matrix movies
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Watch the 1st one. It’s still very good. A classic. 2 and 3 are ok.
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Any good sources you would recommend on how to get into writing screenplays.
Have been writing novels, but I always wanted to make my ideas into moving pictures.
Getting into it is easy. You just need to learn the format (simple google search), and then learn the structure. That’s harder. Grab “The Writer’s Journey” and the “The Screenwriter’s Bible.”
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Proposed last night.
SaintSovereign’s getting married.
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C O N G R A T U L A T I O N S!!!
I’m so happy for you both, this is so awesome!
Can’t wait to be maid of honour! 
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Congratulations on this next stage in your life, wish you all the best and cheers
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Congratulations!
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